A very broad topic, of course, but one in which I am interested in.
My Youtube uploads have covered a vast area of music, ranging from Liszt to Finnissy. And I cannot help but notice how so many people comment on Finnissy's videos (I have uploaded some of th English Country Tunes) quite negatively. On one video, otovioandradas writes:
"the funny thing about the people who seem to enjoy this music is that they HAVE TO LOOK at the score to actually say things like: wow, it 's so complex!", or "wow, this must be so difficult to play!". These people seem to ignore the very basics about music: that it is SOUND. And as far as SOUND goes, this music is DULL."
marcphilos writes:
"If dog vomit had a sound, this would be it."
JianyuTheLegend writes:
"theres actually people who think this is music lol
they must be insane"
And it is clear when you listen to the video (at the bottom of this post) that there is a significant difference between the melody and harmony in it than the melody and harmony in e.g. Jingle Bells or the Beautiful Blue Danube.
And so what is musicality? Why are some pieces of music 'less musical' than other pieces? Why is banging seemingly random chords on the piano considered as 'dull sound'? There seems to be some strange perception in everyone's brain where a C major chord sounds much more pleasing than the bottom two keys of a piano played together.
To be completely honest, I think that there is no such thing as a piece that's scientifically more musical than another. Musicality is an illusion in our brain that we were born with, which gives us emotion based on a series of sounds which somehow fit so well together. A piece of music cannot be totally proven to have a certain level of musicality. You can say that a piece in G major is more musical than a dissonant, Finnissy-type piece, but why does the major scale fit so well to the ear? What's so special about WWHWWWH that makes the music feel happy? Why not sad?
Musicality is an illusion in our brain, that's why.
Friday, 4 February 2011
Friday, 21 January 2011
Miklos Rozsa - Ben Hur
Almost all of us have heard of the 1959 film 'Ben Hur', the 11 Academy Award winning biblical epic. But not a lot of people would be able to tell you who wrote the dramatic score to the movie. Well, the answer's Miklos Rozsa. He was a very popular Hollywood film composer back in the mid 1900s, but today seems rather forgotten. I recommend people to listen to the soundtrack of Ben Hur as it really is fantastically composed and includes a lot of 'upbeat' music (ie. roman marches). Below is the music from one of the rowing scenes in the movie:
Thursday, 30 December 2010
Epic music and D Minor
What's with epic orchestral music and D minor? Whether it's in a film or a video game, most music is played in the key of D minor. Perhaps there is a 'composer's secret' where the key of D minor gives a more epic feel to the piece. Or maybe it's just the easiest key for the orchestra to play in (notably for the violins, as one of their open strings is a D4).
Good examples of such epic music include the soundtrack to the Pirates of the Caribbean movies (just look them up on Youtube). And, of course, who could forget Chevaliers de Sangreal?
Good examples of such epic music include the soundtrack to the Pirates of the Caribbean movies (just look them up on Youtube). And, of course, who could forget Chevaliers de Sangreal?
Wednesday, 22 December 2010
Sounds from Space
Who would've thought that spacecraft can hear what is going on in a planet's atmosphere? Some years ago the Voyager spacecraft passed by Jupiter and recorded using special instruments the electromagnetic vibrations emitted by the largest planet in our solar system, which were converted into sound waves (as sound, despite not being audible in a vacuum like space, can still be detected). The results are staggering - it sounds so out of this world yet somehow familiar to us...
Not only Jupiter has been recorded, but Saturn, Saturn's Rings, Miranda, Uranus, Ring's of Uranus, Neptune, Io and Earth have also been recorded, and their full 30 min tracks can be found on the album 'NASA Voyager Space Sounds'...probably one of the only albums ever published by NASA!
Oh well, that's enough of me ranting about the solar system and next time I promise I'll post something more musical!
Sunday, 19 December 2010
Scary Piano Pieces - Fantasy and Fugue on a Theme of B-A-C-H by Liszt
Go up to a piano and play the notes B-flat, A, C and B. Sounds scary, doesn't it?
This is a frightening piece by Liszt which explores the theme of B-A-C-H on the piano (or B-flat, A, C and B). My favourite thing about this piece is the fact that this theme is used pretty much everywhere, whether it's in a slow, sinister passage or a fast turn. Above you can find the first part played by Marc-Andre Hamelin in the Canadian TV channel 'Bravo'. I apologise for the poor audio quality!
Please like and comment!
Friday, 17 December 2010
Chevaliers de Sangreal - The Da Vinci Code
I recently came across the soundtrack for 'The Da Vinci Code' written by Hans Zimmer, and was particularly amazed by the beauty of one of the tracks: Chevaliers de Sangreal, which is the main theme of the film. The strings really bring out lots of emotion and I love the 'epic' way in which the track was written. You can listen to the track below:
Experimental Pieces Explained
Not many people seem to be getting the point of my experimental pieces. They're not designed to sound beautiful, but they're just experimenting with the features of Finale, and therefore probably don't come out sounding too pleasant.
The first experimental piece deals with the glissando tool on Finale. After a short introduction made out of C major chords, I wanted to find out what fast, MIDI glissandos sounded like on a piano. The result: something between a laser beam and Beethoven's hell. Of course, it sounds awful, but I hope that people can see my aim in this piece and that I wanted to introduce incredibly fast glissandos to the ears of curious Youtubers, not create a romantic piece.
The other experimental pieces follow in a similar way, each time looking at different musical effects, including: pedal effects, block clusters of notes, fast scales and arpeggios, dissonance/improvisational jazz and octave chromatics with seemingly random notes playing in the background.
Please view my experimental pieces and comment! Below you can find my first experimental piece:
Oh yeah, and please don't laugh! :)
The first experimental piece deals with the glissando tool on Finale. After a short introduction made out of C major chords, I wanted to find out what fast, MIDI glissandos sounded like on a piano. The result: something between a laser beam and Beethoven's hell. Of course, it sounds awful, but I hope that people can see my aim in this piece and that I wanted to introduce incredibly fast glissandos to the ears of curious Youtubers, not create a romantic piece.
The other experimental pieces follow in a similar way, each time looking at different musical effects, including: pedal effects, block clusters of notes, fast scales and arpeggios, dissonance/improvisational jazz and octave chromatics with seemingly random notes playing in the background.
Please view my experimental pieces and comment! Below you can find my first experimental piece:
Oh yeah, and please don't laugh! :)
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